Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Emil Neumann
Fischmarkt am Strand vor Scheveningen

ID: 93901

Emil Neumann Fischmarkt am Strand vor Scheveningen
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Emil Neumann Fischmarkt am Strand vor Scheveningen


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Emil Neumann

painted Strandspaziergang bei Wellengang in 1890  Related Paintings of Emil Neumann :. | The Racehorse 'Basilimo' Held by a Groom on a Racecourse | Jean de Dinteville and Georges de Selve (The Ambassadors) sf | cook dodades av hawaianer i febri 1779 | Mr Mrs Edouard Manet | koket |
Related Artists:
Paolo Antonio Barbieri
(1603-1649) was an Italian painter who was the brother of Guercino. He was born at Cento, a village near Bologna. The subjects of his pictures are flowers, fruit, and game, but he particularly excelled in painting fish
Richard Coubould
painted Info from source in author died 1831
BORDONE, Paris
Italian High Renaissance Painter, 1500-1571 Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery. In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian. Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.






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